Friday, 31 July 2015

Don't Be Afraid - by Kristin D Van Risseghem

Hello! I’m guest posting today. My name is Kristin D. Van Risseghem and I’m an author. Don’t be afraid to say it. Writing isn’t my day job, but I do write, so therefore I am a writer. Sometimes you may have to say this a few times. Try it out, then say it again.

I didn’t start out thinking I would be a published author. When I was little, I wanted to be a lawyer. Even went to school to be a paralegal and was supposed to go onto to law school, but for some reason I didn’t. I stayed as a paralegal for 19 years. I know some of you may have always wanted to be a writer … so, be one. I hadn’t written anything since high school. Sure I wrote memos or depos for college, but nothing like a story. Now later in life, I tried my hand at a YA Urban Fantasy story.

Don’t be afraid to push the boundaries. By this I mean if you want to write about something, do it. If it’s not something you’ve ever tried, do it anyway. Try it. Maybe the topic isn’t what’s hot right now. So what? Or maybe it’s a passé topic, write it. Tell the story you want to tell. And sometimes it is the need to tell.

Don’t be afraid to listen to your characters. For me, they do talk and I listen. I am my characters and they are me. Whether it’s a trait, or characteristic, or their appearance … as the writer, we do incorporate ourselves into them. Let them speak because you might be surprised where they take you. And if they get out of hand, threaten that you’ll kill them off. There is nothing wrong with that either.

Don’t be afraid to surround yourself with like-minded people. Your friends and family just doesn’t understand about the whole writing thing. So find people and make friends, who are in the same boat as you. I found them by asking my public library, a local coffee shop and on meetup.com. Sometimes these people aren’t the right fit for you in what you need. That’s okay. There are plenty out there. But there will be some who you’ll make as lifelong friends. Keep them close!

Don’t be afraid when you’ve finished your WIP and are subbing or querying. Remember those people you’ve met? They’ve all been there or are doing the same. When you get your first rejection … yes, it’s going to hurt. The second? Still going to hurt. The fiftieth … yes, I’m not going to lie, it’s going to hurt. It’s not you, your writing, or your story. You just haven’t found your partner, whether that’s an agent or a publisher. The writing community will support you.

Don’t be afraid if the traditional route doesn’t work for you. The advancement of Print on Demand (POD) and self-publishing, your story can still get out there. You will have to learn a lot, but ask around. There are many authors who have self-pubbed and are willing to help.

Don’t be afraid to ask questions. You aren’t alone. You aren’t the only one to go at this and you won’t be the last.

So if you haven’t gotten the gist of the post, I’ll tell you one last time: Don’t Be Afraid.



Kristin’s first book, The Guardian, a Sword, & Stilettos, is published by Kasian Publishing. Her books can be found on Amazon, Kobo, and Smashwords.

Kristin D. Van Risseghem grew up in a small river town in Minnesota with her parents and older sister. And after receiving a double Bachelor of Science degree from Winona State University in Paralegal and Corrections, she worked as a Paralegal for various law firms around the Twin Cities for 14 years. Then she left the legal field and is now a Senior Buyer for a technology company.

Currently, Kristin lives in Eagan with her husband and two Calico cats. She also loves attending book clubs, going shopping, and hanging out with friends. She has come to realize that she absolutely has an addiction to purses and shoes. They are her weakness and she probably has way too many of both.

In the summer months, Kristin can usually be found lounging on her boat, drinking an ice cold something. Being an avid reader of YA and Women’s Literature stories, she still finds time to read a ton of books in-between writing. And in the winter months, her main goal is to stay warm from the Minnesota cold!

Thursday, 30 July 2015

Getting together ... - Karen Bush and Authors Electric

Someone asked me recently about collaborating on a book with another author. I’ve done
quite a few and so far they’ve all been a joy to do and I’ve always learned a lot during the process. The best advice I could offer though, was to only write with people you like, respect and get along with: it’s a policy I’ve always followed and has allowed us to thrash out disagreements over content in an amicable way, to have a happy time doing the book and to remain friends afterwards.

Creating an anthology should be a piece of cake in comparison, but it requires a different sort of collaboration: it’s more to do with organisation than actual creative input. First of all there is the tossing up in the air of the idea of doing one in the first place – to be honest I can’t understand why we haven’t produced one before, as we all write fiction … 

Sue Price: I can't, either, Karen. I mean, we all write fiction - what better way to introduce our work to a new audience than an anthology of short stories? - All credit to you, for seeing what none of the rest of us did.


Then, after the initial enthusiasm there is the need to find someone daft enough to impulsively stick a hand in the air and volunteer to oversee it from start to finish and put it all together. Followed by deciding on titles, organising a vote on it, setting deadlines and word lengths, finding more volunteers to design covers and write blurbs: there is the chasing up of those who are not on Facebook and have no idea of this project even being in hand, gentle persuasion of those who are unsure about doing it at all, and merciless nagging of those who are behind schedule or considering dropping out – followed by the grind of checking all the stories submitted, carefully scanning for accidental typos, deciding on and adding a house style, sending proofs of each story out to its author, putting them all together in the right order, formatting and then proofreading one more time.  Doing the technical stuff may be tedious but is actually the easiest and least blood-pressure raising part of it all as you have control of everything.  The challenging part is the rounding up in the first place of all 29 of the stories that make up our bumper anthology; there have been times when yes, it really has felt like herding cats. Collaboration is so much simpler when working with just one other person: and
oh! the lists involved … 

Sue Price: There's a little known Greek legend, where Zeus offers Hercules an option on persuading 29 playwrights to produce a scroll collection together - 29 playwrights who all write in different styles and in geographically scattered places, have different temperaments and a great variety of other committments. Hercules says, no thanks, he'd rather wrestle with the Nubian Lion and behead the Hydra. It was an enormous, difficult job, and you managed it with good humour and patience - but never skimped on quality. I'm so impressed. (Especially when compared to my bumbling efforts to put the book up on CreateSpace as a paperback.)


But on the whole it has been fun; I’ve got to know my fellow Electric Authors a little bit better while working on it, have enjoyed reading each and every story as they arrived, and as a result have added more books to my ‘to read’ list. That is of course, one of the pleasures of an anthology – it’s a bit like a tasting menu, where you will find yourself reading some stories that may be outside your usual genres, and is the perfect way of discovering new writers. Bon appetit!



Sue Price: I know we're partial, Karen, as members of Authors Electric ourselves, but I was so impressed by the high quality of the stories as I read through, while doing the paperback version. There is such a variety of styles, that any reader is bound to find something that's right up their street, and something that's a little different for them. There are longer stories that create a world, and quite short stories, of a couple of pages, which pack a big punch. I'm really proud to have been a part of it.

I love your title pages, too, Karen, a handful of which (randomly chosen) decorate this blog. There are 23 other stories to enjoy!

With thanks to all the wonderful and talented Electric Authors who contributed … plus special thanks,  in no particular order as they say, to Valerie Laws (book description and flyers) Lynne Garner (cover design) Susan Price (creation of paperback edition) and Chris Longmuir for virtual cocktails and party food at the online launch party. I've probably left people out - apologies if I have, but I've lost the list ...

PS As well as a 'best of' blog collection (SPARKS 2) due out in time for Christmas (watch this space), there’s another anthology in the pipeline for next year … 

A Flash In The Pen, the Kindle edition: UK
                                                            US


Coming soon in paperback!                                                              


 

Wednesday, 29 July 2015

More rambling through the wilderness: N M Browne

I fear that all my posts here have been a bit writing obsessed. That’s because I am a bit writing obsessed.  I am still wading through the quagmire of story, still in the wilderness trying to hack back the undergrowth with a blunt machete to find my way.

I am sorry if that makes my posts a bit samey. It is making my life a bit samey too: like a video on loop. I keep returning to the same sentences, changing them, then rereading them and changing them again.  You see, I have to sound like a twelve-year old boy and the prolix middle-aged woman keeps on sneaking out through inappropriate qualifiers, peeping out through syntax that ought to have died with the Edwardians. She is a pain this middle aged woman. She will keep mucking up the flow of the story with random passages of overwritten prose. Then when I walk away from my desk, make yet another hot beverage I take pity on her. She’s doing her best, not everything she does is dreadful, she’s just out of touch. Oh shit! She’s me.

How can someone in this state have anything useful to share?

 I am sadly not a writer who can think about the sales pitch before I have the book. Maybe I’d be a best seller if I could.

In this particular story I’ve had to tease the plot out as I go, extruding it through some subconscious mechanism I don’t understand but which seems to run on an unhealthy mix of coffee, wine and youtube videos. I am not complaining, I am very happy to be working. I am however apologising for doing EVERYTHING WRONG. If you are or have ever been a student of mine - cover your eyes.

I don’t know what my story is about. If you were to ask me, as kind people occasionally do because its nice to take an interest in the weirdo in the corner, I say;’ It’s a children’s book,’ then, ‘It’s a magical thing about a boy. It’s a bit of a strange story. I’m not expecting much of it.’ THIS IS NOT THE WAY TO DO IT. We must all have an elevator pitch rehearsed ready for that question. We never know who might ask it so we must, like literary girl scouts, always be prepared. Similarly, the same gentle, patient interrogator, valiantly making conversation with this dippy woman pretending to be a writer might ask:  ‘and who is it for?’ Sadly they will get by way of garbled reply something like‘ Well, it’s younger, not YA but not very young maybe nine or perhaps twelve.’ They are entitled to regard me as a rank amateur. A children’s writer should know their target market, should gear the text to meet the needs of a particular kind of reader.

My way is not the way to write. It is definitely not the way to sell but sometimes it is the only way you can proceed. 


 Obviously after this last round of word wrangling, and plot untwisting I will be able to share helpful stuff about how to bag a million readers with nothing more than a facebook page and a digitised arrangement of well-ordered words. I’ll explain how to negotiate film rights and build an audience on twitter. Or not. Till then all I have is the wilderness and my blunt machete…

Tuesday, 28 July 2015

Alzheimers, SPILLIKINS and THE TIME TREE by Enid Richemont

A little while ago, I was sent a signed copy of Tabitha Suzuma's Young Adult novel, Hurt. As with many online writer 'friends' on Facebook, ours has grown into something gratifyingly like a real friendship, and since we both live in London, I have no doubt that, one day, we will meet. Pain is something we share - mine from losing David and hers for very different and more complex reasons.

I rarely finish reading a complex and challenging novel in a day, but that Sunday was a bad day for me - Sundays tend to be - so because it was an unexpected gift, I began reading it. I am a slow reader (David, by contrast, was a book-gobbler) so I didn't expect it to occupy my whole day, but it did. The writing is exquisite, and the plot brilliant. It's not easy to grab a reader's attention right up to the last word, but she did it. Please don't be put off by its "Young Adult" labelling - so many Y/A novels are crossover, and this one certainly was. Incidentally, might there be an "Old Adult" genre? Silly responses, please. And as for the "Adult" genre, well that word has been well and truly corrupted - might well be re-named the: "Oh look, I've got genitals" genre.

This is the first cover image for my first published book: The Time Tree. It took me almost ten years to get it accepted, mostly because I was very busy doing other design-orientated things, but also because I really had no idea about the children's book market apart from the fact that I absolutely loved reading to my children. I'd had quite a decent small publishing career via short stories for magazines, and even acquired an agent, but writing a book was something else, and only came about because I'd made up a lengthy story for my daughter and her best friend, and they both wanted me to write it down so that they could read it again.


The Time Tree seemed to grab people, and it stayed in print for ages, acquiring a new cover image in the process (the first one was deemed to be old-fashioned). It attracted film interest - first from a small and very niche film company in Switzerland who wanted to translate it into the Bernois dialect and manipulate the plot. Thankfully, it didn't happen. At present it's with a company called Wild Thyme Productions, which is, fortunately, London-based, but whether it happens depends, as usal, on money, and making films is expensive. The story's about a profoundly deaf Elizabethan child, treated, of course, like an idiot, in spite of her well-meaning family, who somehow makes contact with a couple of very 20/21st century girls, best friends who are on the cusp of leaving primary school.

Lastly, I want to tell you about Pipeline Theatre's extraordinary play - first, because Pipeline is our daughter's company, but secondly because Spillikin has been conceived and written by playwright Jon Welch.

Alzheimer's seems to be the topic of the moment, with the best-selling novel - Elizabeth is Missing by Emma Healey. Spillikin is a love story - yes, you have to believe it. It opened briefly in Cornwall, will be moving to Latitude in Suffolk, and then on to Edinbrough - the festival. It features a real, working robot. If you can, go and see it, and having seen it, if you're moved by it, tell people, tell the world. Alzheimer's made off with one of my favourite writers, the incomparable Terry Pratchett, and it's time we put a stop to it.

Monday, 27 July 2015

The Society of Authors Campaigns for All of Us - Andrew Crofts

As I get close to the end of my three year stint serving on the Management Committee of the Society of
Authors, I want to sing the praises of the staff there who do the most magnificent job of supporting members who are being treated unfairly or who simply need professional advice.

Writing is one of the hardest jobs from which to make a living wage and it is hugely comforting for members to know that they have this dedicated team of enormously experienced and efficient lawyers and publishing contracts experts willing to fight on their behalf.

On July 7th I attended a summer party on the terrace at the Houses of Parliament, thrown by the All Party Parliamentary Writers’ Group, at which the SoA’s constantly campaigning Chief Executive, Nicola Solomon, laid out the Society’s “magnificent seven requirements” for writers’ contracts – spelling out the acronym “CREATOR”. They are well worth repeating here.

Contracts need to be clear and should exist for all writers, including journalists.
Remuneration needs to be fair, and allow for the author to share the rewards in such circumstances as bestsellerdom.
Exploitation: authors need to be given the opportunity to make money from all modes, on the “use it or lose it” principle – so that form unexploited by the publisher could revert to the author.
Accounting should be fair, understandable, proper.
Terms: there should be reasonable and limited contract terms so that publishers do not hold rights indefinitely.
Ownership: authors, illustrators and translators should always be credited, and their moral rights unwaivable.
Reasonableness: all unreasonable requests should be struck out.

I would urge any author who has not already done so to visit the Society’s website http://www.societyofauthors.org  and see what is on offer. To have the strength of these lawyers and experts on your team will make all the difference in any negotiation or dispute – and that is only one part of the range of services that they offer.


Sunday, 26 July 2015

Don't Lose Your Head, Follow Your Heart by Ruby Barnes

A very brief post from me this month, and a shameless plug for my new release.

I have two main interests - writing and karate - and recently found a way to combine them. The novels I have so far punished the world with include an odd mix of drama, tragedy, human failure, sex and violence. It takes me one to two years to complete a book. This year I wanted to try and write something light and fast, giving myself a daily target of at least a thousand words, but I was lacking a subject. While ruminating on a topic for a new writing project, I threw myself into the world of karate which I have inhabited over the past four years.

The club I'm a member of has an interesting mix of disciplines - sport karate (fairly traditional but without all the Japanese words), semi-contact sparring with full protective gear, weapons, self-defence, something for everyone who wants to work up a sweat and get rid of some day job aggression. My weapon of choice is the katana or sword. Samurai sword sort of thing. As I became more proficient with the sword, I envisaged each strike as actually cutting my opponent to pieces. I'm not really a psycho, so I imagined attacking monsters, zombies in fact. The sword is really the perfect apocalypse weapon for Ireland which has very few firearms. And there I had it. A series of zombie apocalypse novellas with jaw-dropping gory humour. Zombies versus Ninjas.

Each of the two books I have so far published has taken two months from start to finish, including beta reading, editing and publishing. The first reviews are now in for book 1 - Zombies v. Ninjas: Origin. The verdict? See for yourself here. If you think you might like to escape into the world of an apocalyptic Ireland then drop me a line and I'll gladly give you an e-copy.

Thanks for listening and see you on the other side.

The new series from Ruby Barnes

It's a love story (okay, it's not)



Saturday, 25 July 2015

Kindle Kids by Susan Price


In between bouts of editing the Sterkarms, I've been having a look at Kindle Kids' Book Creator.

I'm interested because I'm hoping to publish some picture books,
with my brothers as illustrators.

Brother Adam's chapati chasing tiger
So, what does the Kindle Kids' Book Creator offer?

It allows you to import art work in jpeg, tif or png format (it says here. The only one of them I know anything about is jpeg.)

It recommends, however, that you save your book as 'a multi-paged PDF file,' with the cover included as the first page, and upload it like that - which is what my brothers and I will be doing.

The part that really interests me, though, is the 'text pop-ups.'

Since the text will probably be embedded in the art-work, and might be viewed on the small screen of a mobile phone, it will be quite hard to read. Kindle Kids allows you to programme in a 'text
Brother Andrew's goat-bothering troll
pop-up'  - that is, to add a window into which you type your text. When a reader taps on this it will 'pop-up', allowing the text to be easily read. Another tap, and it goes away again.


When you download Kindle Kids, a detailed book of instructions is included, as a PDF.

There's also a Previewer, which allows you to see what your picture book will look like on several different devices.

I wonder if Amazon has plans to extend the possibilities of Kindle Kids? I've been looking at picture book apps which allow you, for instance, to tap on a word and hear that word spoken aloud - so helping children to link the spoken word, which they probably already recognise, with the written word.

The apps allow you to highlight one word - so books that emphasis a particular sound might highlight the letters that produce that sound.

These apps also make it possible to touch a picture of a dog, and hear it bark - or the picture of a ship and see it sail away, off the page. I would love to do something like this, but could not possibly afford to pay a programmer a fair price to do all that pernickety, brain-breaking work.

If anyone knows more about these apps, I'd be very interested to learn.

The work that goes into a picture-book, by the way - I'll say it again - is enormous. And usually under-rated. The composition of the pictures, the balance of colours and shapes - the revision to allow for text - the revision of the text to fit with the pictures - the effort needed to make the few limited words bounce and spark... It annoys me to see these books so often dismissed as 'stuff for kids' when they are works of art and love.


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The Bearwood Witch 
 
     Zoe wants her dead boyfriend back.

     Since his death in a car crash, she’s been inconsolable.Time heals? He rests in peace? – don’t give her such crap. Only one thing will help - having him back in her arms. 
     She means to bring him back from the dead, no matter what it takes.
     So she knocks on the door of the Bearwood witch, Elizabeth Beckerdyke’s...

         A supernatural thiller, set in the modern world...
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     The Industrial Revolution is blackening the English countryside… Women and children hack at coal in darkness underground and drag loaded tubs like animals.
     Rattle is one of them – a dirty, pipe-smoking, swearing collier wench, who dresses and swaggers like a boy.
     But she’s in love… With the young farmer who works the land on the hill above the mine. Jonathan Turner, a god-fearing, prim and proper Methodist.
     Rattle is determined to have him. Except that he’s already married – to a ghost.
     A historical, supernatural thriller...
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     Susan Price is an award winning writer, with work translated and published in many countries world-wide. 

Friday, 24 July 2015

The stories we tell of ourselves -Jo Carroll

As you read this, I'm on my way to a funeral. I have agreed to 'say a few words.' So I shall probably be driving round the M25 working out what I'm going to say.

I lie. I'm not quite that disorganised. But I won't have it written down to the last comma, either. Instead I'll have a card or two to remind me, and then speak as I feel. This - I promise - is not the same as 'winging it.' It is, rather, a half-way - a gathering of ideas so that I have a rough structure and then responding to the feelings of the moment.

I will have 2-3 minutes so sum up the 60+ years I've known her. And somehow I need to do that without diminishing her.

But it has got me thinking - not only about the woman I need to speak about, but about the stories we tell of ourselves. Isn't that what we all try to do of ourselves - that 140 characters on Twitter, the baby biographies on Facebook? We reduce our complexities to soundbites in the hope that we can, somehow, use those to entice people to explore our blogs and our books and our general media personas.

Yet even that is a fraction of who we are. When I'm faffing about online as a writer, I'll dip into writing fora and talk about character development and the challenge of pacing. On another day, when I'm in travelling mode, I'll play on a travelling forum and join in discussions about rucksacks and the need for insurance.

And still that is only part of the picture. I'm widow, mother, grandmother. I'm obsessed with cricket. I'd rather sit in my garden and read than dead-head the roses. I hate the winter.

How exciting this is! All these different roles we play - not only over the course of a lifetime but sometimes in just a day or so. We take this knowledge into our writing, of course, as we allow characters in our fiction to come out to play. Our heroine might, at the time of writing, be a miserable woman who expresses her rage by throwing her laptop out of the window. Yet another day - off the page - there will be things that give her joy, that make her laugh, that remind her of people who still love her.

And so our understanding of characters should draw on our awareness of this rich complexity. Which might explain why developing characters is so difficult, and so much fun.

Now I must go. I have a real woman to think about.


Thursday, 23 July 2015

Lev Butts Takes His Stand

As I came back from my trip to Kansas City last month, on June 18, 2015, I was faced with the horrendous story of Dylan Roof, who had the night before murdered nine unarmed African-Americans as they worshipped in one of the oldest historically black churches in the country.

Roof, a home grown terrorist and white supremacist, allegedly entered the church during prayer meeting, attended services for about an hour, then opened fire killing nine and wounding a tenth. He was quickly identified and apprehended and is currently awaiting trial.

In the aftermath of this tragedy, focus shifted to the Confederate flag flying on the state capitol grounds. See, after the shooting, all flags on the grounds were lowered to half-mast to honor the dead, except for the Confederate battle flag which flies, not on the capitol building, but on its grounds nearby. There were two reasons this flag was not lowered: it was forbidden by law for the flag to be altered in anyway without permission of the General assembly, and more importantly, it was affixed directly to the pole: It could not be lowered without someone shimmying up there and doing it by hand.

Regardless, of the reasons, it looked bad, and once again raised concerns about public displays of the Confederate flag. This picture of Roof didn't help either:

On a side note: Once the flag controversy is over,
I expect calls for the closure of Gold's Gym. Oh wait.
While at the time, South Carolina could not do anything about its flag, retailers quickly sprang into action. Walmart announced fairly quickly that it would no longer carry Confederate flag merchandise due to its being a symbol of racial hatred, followed quickly by eBay, Apple and Amazon.com, among others.


Pictured: Items that are apparently not symbols of racial hatred and thus readily available for purchase.
And this is where a horrifying tragedy that had evolved into a long overdue discussion of the inappropriateness of the Confederate flag being displayed on tax-funded grounds devolved into absurdity:

Apple has banned the display of the Confederate flag on all apps, including historically accurate strategy games about the Civil War. EBay has followed suit, though admittedly, its banning-bot could use a bit of a tune-up.

Pictured: eBay's idea of a Confederate flag.
The Emperor is pleased that the site saw fit to ban this.
WB next surprised the world not by announcing that they'd be pulling all Dukes of Hazzard merchandise because of the flag on the car, but because no one ever thought they were still producing Dukes of Hazzard merchandise to begin with. Then TV Land pulled those no-harm meaning good ol' boys off the air thirty years after the show had been cancelled, and the absurdity reached new heights.

Some day the censors might get'em, but the law never will.
Thus we come to Amazon. When this story first broke, the internet was afire with rumors that the ban would extend to book covers despite the fact that no official word had been released other than the initial reports of "merchandise" being banned.

As a Southern writer and as a scholar of Southern culture and literature, I watched this new development with a close eye. After all, much of my fiction takes place in the South. I have even, in recent years considered writing a story set during the antebellum, Civil War, and/or Reconstruction eras. Before June 17th, it would be perfectly reasonable to employ the flag on the cover of such a book.

While I support the rights of a private business to determine what it will or will not sell, I feared that Amazon would, like Warner Brothers, fail to take context into account and rely instead on a blind knee-jerk reaction.  However, several quick Amazon searches performed sporadically over the last few weeks have revealed that, at least for now, covers are not affected.

Until I began researching for this very post. Last week, Pennsylvania historian, Michael Dreese discovered that This Flag Never Goes Down, his book discussing the Confederate battle flag's role in the battle of Gettysburg, had been removed from Amazon's virtual shelves. While Amazon has apparently reinstated the book, it is not clear whether this marks a permanent reinstatement or a temporary reprieve until Amazon's August 22 deadline to remove a Confederate merchandise from it's store.

Here's my problem with such draconian measures. Leaving aside the reality that simply removing a flag does absolutely nothing to solve the very real racial tensions in this country other than to provide a palliative Band-Aid to an amputated limb, arbitrarily forbidding an image on a book cover undermines the integrity of both author and audience.

It tells authors that they are unable to determine for themselves what constitutes fair use of an image. There are several instances where the Confederate flag may, in fact, be the perfect image for a particular book: A novel about the South during the War, for instance. Shall we have a boy in gray waving Old Glory instead of the Stars and Bars? Perhaps if there is a story in which the protagonist takes on the KKK, we should have an image of a clansman waving the Stars and Stripes.
Because, you know, that flag has never been used to further a racist agenda.
Such a policy also tells consumers that they lack sufficient intelligence to tell the difference between a symbol being used for hatred and division:


And the same symbol used as literary shorthand:


or as a historical reference:

It is also an insult to those who suffered from the tragedy in Charleston: It tells them that their pain and anguish can easily be ameliorated by simply taking some books off a shelf and removing a few video games. Banning the swastika in Germany did not eradicate racism there; dictating what I can or cannot put on the cover of my book without regard for context or authorial intent will similarly not prevent other terrorist killings. Indeed, it hasn't.


I do, however, think that with a little tweaking,
we can get The Dukes of Hazzard back on the air.

Wednesday, 22 July 2015

Antidotes to writing, by Ali Bacon

Not adding up
Writers write, right? And for many of us there are so many other things to do that writing fills all the available spare time that’s going. But I recently got into an odd situation of doing too much writing or applying too much of my headspace to a single writing project - and it wasn’t working. The novel had ground to a halt and parts of it had been written and rewritten to a point where I felt I was simply moving words around in the hope that they would fall into place like one of those old sliding puzzles. Of course there was no perfect solution but that didn’t stop me going round in ever-decreasing circles. I decided to down tools. Since then I have meandered back to some bits of writing but I’m a lot more aware of the importance of the other things I do and it’s made me think about how and why they contribute to my sanity.

Making and doing

Only a bit of unpicking!

I used to joke I took up writing because I was no good at knitting. But in fact that’s not true. I’m not a very ‘handy’ person, but  I like knitting and really enjoy the process of making something that doesn’t require too much fiddling. In the winter knitting also keeps me warm and it makes me feel a lot less guilty about watching TV! But why does it feel like a refreshing change from writing? Well it’s practical, with a concrete result, and more crucially, it comes with a set of instruction!  I think you get my drift. I’ve never been much of a plotter with novels, and although I’m a lot more aware these days of ‘the rules’ of writing, for me a novel is a journey of discovery. Well that’s fine, but sometimes it’s good to sit down, follow the rules, and eventually you have the finished article. I don’t really mind how long it takes, or if I have to unpick a few rows (I blame Poldark!) because success (small caveat over patterns downloaded from t’internet!) is almost guaranteed. How refreshing.


In similar vein, a year or so ago I tried my hand at calligraphy, and for a few weeks I was blissfully content to practise up and down strokes with a felt tip pen. The novelty of that part soon wore off but it reminded me that writing was also about forming words and letters, that books were originally physical artefacts, and the change of pace was definitely therapeutic. Then we moved on to projects which were much more of a creative test. We had to think about the remit, plan our response, visualise the outcome and then do it. Yes, more like a novel, and demanding in a way I hadn’t expected, but because the outcome was visual, it felt creative in a different way.
I liked it, but there was a problem. I couldn’t actually master the techniques. My results (see below!) never looked as good as I wanted them to. I could see the finished item but I couldn’t produce it. 

So I will never be a calligrapher, but it’s good to have a creative project that’s not writing-related. At the moment I have an on-going sewing project with some remnants of curtain material. I’m no psychologist but I imagine that making stuff uses different parts of the brain compared to translating the imagination into words.

A bit of singing and dancing


Calligraphy/dancing mash-up!
All kinds of exercise are good, but most of them allow the brain to keep working on other things – yes, while walking or cycling and (take it from me) even golfing, you can mull over that scene, that character that plot twist. Which can be beneficial. But I discovered that there’s a huge benefit in having the brain entirely absorbed in something else. A while ago we decided to try ballroom dancing. We’ll never be on Strictly, but just remembering the sequence of steps in the foxtrot and managing to get it right definitely does not allow for other brain activity! 

Music is a great mood-changer and singing in a choir is also about people coming together and creating something as a group, so I am always loath to miss my weekly outing to the Resound Community Choir.  

On an impulse I added a string to my musical bow by signing up to some informal music theory classes. I do have some vestigial knowledge of quavers and crochets from childhood piano lessons but I have really enjoyed finding out more about chords, scales and intervals. Thinking about it, from Latin and Greek to the basics of html I’ve always loved learning languages and I suppose musical notation is a kind of language, better still, the kind of language with a strict internal logic. A bit like a knitting pattern!  
  
Everyone needs recreation (that's re-creation) of some kind, and I think the activities I’ve thrown myself into have been a way of freeing up my mind from the stranglehold writing can sometimes exert. Will they take over from writing altogether? Well there have been times when I look in my diary and wonder when I’m going to find the time, but I'm not too worried. Writing has been part of my life for far too long for it to disappear completely, so watch this space!

                                                                                                      

Tuesday, 21 July 2015

Chaos at the Car Boot and the Magic of Random by Pauline Chandler


Parents, teachers, friends and casual acquaintances have, over the years, noticed how untidy I am, and failed, with all their well-intentioned comments, to change me.  I LOVE chaos. I do! I’m averse to order and routine, especially that imposed by other people. I dislike plans and ‘organised’. It feels anti-life.  By the side of my armchair, my nest, is my ‘pile’ of stuff. Books, notebook, diary, address book, photo albums of my grandchildren, sweets, aspirins, knitting, the stuff of me.  

Upstairs in my office, it’s the same : desk, shelves, floor, piled high with stuff, all of it precious chaos. My notebooks the same, my mind the same, a mish-mash of untidy thoughts, memories, anxieties, plans, regrets, what ifs and shoulds, as  well as those magical random moments, those beautiful experiences, usually for me in my garden, the flash of a goldfinch,  a new flower, a party of jays on the lawn.

Are all writers the same? To begin with my books are extremely chaotic, a jumble of scraps and fragments, random sentences.
I LOVE car boot sales, where chaos reigns, in stall after stall of mad jumble.  Each week I try to find a mystery object to take home for my other half, for him to guess what it is. Did you know there‘s a gadget for you’ve everything you’ve ever wanted to peel, poke, carve, clip, shave, extract and polish?  Clean, shorten, melt, magnify, colour, glue..you get the idea. One of my best finds was a tool for clipping a rabbit’s claws, which neither of us guessed, not even the stall holder.  Then there was the citrus segment extractor, which I had to research online, and this week – ta dah! – a 14” length of galvanised metal turned into a screw, with a point at one end and a handle at the other.


I guessed it was for uncorking a large barrel of wine. I was wrong, but I make no excuse. It turned out to be a hook to screw into the ground when camping, to which you can tether the dog.  Isn’t humanity wonderfully inventive?

Car boot banter is entertaining too. This week I overheard one chap say to another , ‘You’re looking affluent,Ron.’ To which came the reply, ‘Effluent? Yes, I’m full of it!’ 

Then there was my flower lady, who, whatever the weather, and the lack of trade, sets out her stall with pot after pot of spectacular plants in an explosion of colour. I admired some two-colour antirrhinums and she took me to one side, with a gesture towards the door of her caravan, where her old man sat smoking a cigar.  ‘They’re beautiful, aren’t they? I want some o’ them, I’ve got just the place for ‘em, but ‘e not let me ‘ave ‘em. ‘E says ‘After, ’ by which she means after the car boot, if the plants don’t sell.  Characters and stories. Wonderful random.

Creativity is a mystery. All I know is that for me, it doesn’t happen without chaos, where the best ideas come as surprises. They usually pop up when my mind is neutral, floating, wandering, drifting like a bee among flowers. Aah.  


Let me share my best random find of the week. I had run out of new books to read – oh no! - so I looked along my book shelves, to start again on some old favourites.  What I found was a book I’d not read before, ‘The Guernsey Literary and Potato Peel Pie Society’ by Mary Ann Schaffer .  If you’ve not read this one, do try it. It’s enchanting, horrific, funny, tender  and moving, by turns. I loved it. The book tells the story of author, Juliet, who visits Guernsey to research the experiences of the islanders during the Nazi occupation of World War II. It’s a fascinating story.


Wishing you many random moments of joy from the chaos!

Pauline Chandler

www.paulinechandler.com